The Awakening
At the end of the affair, her ex went to prison and she became a star. Sally Singer meets the newly single Anne Hathaway and watches her shop and soar.
Topshop in Oxford Circus, London, is a vast, crowded, chaotic nexus of moms, teenagers, working girls, and, above all, stuff. There are piles of handbags and baubles and socks and hair doodads, and everywhere Kate Moss hovers gigantically. Just when you think you’ve found the aforementioned supermodel’s panther-clawed tunic in the right size, some Camden hipsteress with cherry hair and Siouxsie Sioux eyes is grabbing it by the other sleeve. Into this fast fashion fray, one day last October, steps Anne Hathaway, the movie star. Speaking of fashion with speed, Hathaway is wearing a nifty, nipped tweed blazer from Et Vous; a vintage Fred Perry tennis sweater; an Elizabeth and James plaid shirt; natural-waisted J Brand jeans; and slip-on Keds with rabbits drawn on the front. This is a girl who could teach even an NW1 punkette a thing or two about Lower East Side layering.
“Look, she’s buying cheap knickers!” somebody says. And, indeed, Hathaway is in the lingerie department, surveying the three-for-£7 panties in polka dots and funny florals—girly things. She’s also interested in camisoles, jumpsuits (she tries on a strapless black corseted romper), and things that in her mind fall into the “lounge around” category. “No one lounges around cuter than Kate Hudson,” she says. Hudson is her costar and a producer of Bride Wars, which opens this month. (Hudson says, “Annie would show up to work in the indie-mod thing that is her go-to. My go-to is jeans, Rick Owens, a blazer, and lots of bracelets. Hers is red sunglasses, tight black skinny jeans, shirt off the shoulder, cute beanie.”) Continue reading